Sunday, January 31, 2016

At the Cinema - January 2016

More 2015 Movies (that I’ve added to my rankings post of last month)

Room – 9
Depressing but hauntingly beautiful, this movie is a tale of a mother and son and their inhabitance of two environments.  First, there’s the claustrophobic room where Joy Emerson has been imprisoned for 7 years by a rapist she calls Old Nick.  She has had a son named Jack and has no choice but to act as a sex slave for Nick in exchange for safety and supplies.  Later on, when her environment changes to another location, she must adapt to an equally difficult situation.  At the center of her life is her son, and his protection is paramount.  She must guide his intellectual and emotional development with few tools at her disposal.  She can never let her motherly instincts diminish in either location.

Brie Larson Is expected to coast to an Oscar for her performance as Joy.  The camera is in tight, make-up-less close-up for most of the movie and Larson conveys her anguish and anxiety.  The most successful movies transport you not just to a specific time and place, but they transplant your emotions right into the center of the story, so you feel those anxieties so much that you squirm in your seat. 
This is such a movie.


The Revenant – 8
In different parts:  Brutal, harrowing, disturbing, graphic, difficult, well-acted, chilling, absorbing, off-putting, hard to watch, masterful, dark, manipulative, conceited, cold, overwhelming, amazing, lengthy, distant, flawed, well directed, astonishing, jarring, stirring, memorable, well photographed, raw, extravagant, relentless, bloody, seductive, impressive, gruesome, grisly, grueling, groundbreaking, and ultimately – exhausting.  This is the story of a man seeking revenge after being left for dead.
Some Questions and Answers:
Will it win an Oscar for Best Picture?
Probably
Should it?
Probably Not.  Every year there’s a late comer whose buzz dominates the time right around voting season, and The Revenant has played its hand perfectly.  But, I can’t see it as a treasured classic, and there are a couple of films that deserve that status above this one
Will Leonardo DiCaprio win the Oscar for Best Actor?
Yes
Should he?
Yes, as a make-up call for Wolf of Wall Street, and as an award for surviving the filming of this movie.  In the end, he is the reason to see The Revenant, where he answers the question “how far will you go to get what you want, whether it’s revenge, or an award?”


The Hateful Eight – 8
No, this is not a televised debate.
It is Quentin Tarantino’s eighth movie, or so he states right up front.  He has said that he will make 10 movies. 
That’s important because his movies have gotten progressively, or regressively depending on your point of view, more bloody, gruesome, and outrageous.
He writes these stories from scratch, then begins to stockpile the blood it will need.
This is kind of a Reservoir Dogs in the snowy, wild, wild west, as he claustrophobically throws 7 or so bad men and one bad woman, played with great gusto and tolerance by Jennifer Jason Leigh, into a blizzard enveloped cabin. 
They snarl and bicker and in the least surprising part of a Tarantino movie ever, commence to shooting each other’s heads off.
It’s pretty entertaining because of his knack for storytelling, backstories, and dialogue, but in the end it’s all about the bloodshed.  All of which makes me wonder if he gets to his 10th movie and it will just be flying body parts.

Carol -7
This movie provided me with my biggest laugh of the month when after viewing, I saw a commercial advertising this is a “thriller.”  This movie is to thriller as I am to heavyweight champion of the world. 
Thriller is not the way I would describe it.  Let me think.  I’ve got it – un-thrilling.

This is the much acclaimed story of two 1950’s era women who fall into a forbidden lesbian relationship.  Carol as icily played by Cate Blanchet, has the most to lose.  She’s about to divorce her husband (Kyle Chandler) and their young daughter is about to be the subject of their tug of war.   Threzz (Rooney Mara) will slowly, and I mean really slowly, fall in love with Carol. 

The problem with all this is that it takes place in the 50’s and moves at the pace of a 1950’s movie.  It’s languid and leisurely, and while I like a character study as much as the next heavyweight, this movie is about 50 years too late and 50 minutes too slow in getting to the point. 


SCANNING THE SATELLITE
Making a Murderer – 8
I succumbed to the publicity and gave up 42% of a full day to watch the 10 episodes of this Netflix documentary.  It follows the case of Steven Avery, a Wisconsin resident who was wrongfully convicted of a rape, served 18 years, and then was released.  He celebrated his freedom by murdering a female photographer.  Or so his embarrassed county police force claims.  Or they framed him.   It’s all pretty confusing, and the story is filled with red herrings and abandoned information.  You keep expecting them to come back to points, but they disappear.  To say there are lingering questions that never get answered is an understatement, and a real puzzle as they have over 10 hours to cover everything.  You would think….

Two young film students shot this over the course of 10 years, and it takes a pretty firm stance that there’s been a miscarriage of justice.  By the end I had two feelings. I felt like I had been dragged through the court system, and I wanted to see the rest of the story.  But this is compelling story telling and I’m sure there’s a million similar stories out there. 


The problem with the documentary, as well as the trial outcomes, well with just about everything from politics to the judicial system is that there is an expectation of “fairness” and a search for “truth.”  Neither is the case.  America is about “adversarial” processes that lead to “winning.”  Ask any politician.  Ask any attorney.  Ask Bill Belichick.  It’s the end that counts, not the means.  And that’s a shame.  

Saturday, January 9, 2016

2015 Year End Rankings

Every year I write about the movies I see, and give a purely personal ranking, including how I scored the movie on a scale of 1 to 10.

Here’s my 2015 list

Mad Max:  Fury Road                                        10
Spotlight                                                              10
The Gift                                                                10
The Martian                                                        10
Inside Out                                                            10
Creed                                                                    10
Bridge of Spies                                                    10
Concussion                                                          10
McFarland USA                                                    9
Black Mass                                                            9
  
The Big Short                                                      9
Brooklyn                                                              9

Room                                                                   9
Star Wars:  The Force Awakens                       9
Mission Impossible:  Rogue Nation                9
Trainwreck                                                          9
Love and Mercy                                                 9
Pitch Perfect 2                                                    9
Spectre                                                                8

The Revenant                                                     8
Truth                                                                    8
Ex Machina                                                         8
Jurassic World                                                    8
Me and Earl and the Dying Girl                       8

The Hateful Eight                                               8
The Visit                                                              8
Kingman:  The Secret Service                          8
The Intern                                                           8
Ted 2                                                                    8
Spy                                                                       7
San Andreas                                                       7
Steve Jobs                                                           7

Carol                                                                    7
Run All Night                                                      7
Terminator:  Genysis                                        6
Sicario                                                                 6
Crimson Peak                                                     5
The Man from Uncle                                        5
The Boy Next Door                                           5
Focus                                                                   5
The Avengers:  Age of Ultron                          4
The Hunger Games:  Mockingjay Pt 2            3
A Million Ways to Die in the West                  2
The Age of Adaline                                            2
Entourage                                                           1

Documentaries
Requiem for the Dead:  American Spring 2014                    10
Going Clear:  Scientology and the Prison of Belief               10
Frank Sinatra:  All or Nothing at All                                         10
Jinx – The Life and Deaths of Robert Durst                            10
The Seven Five                                                                            10
Amy                                                                                                 9
I’ll Be Me – Glen Campbell                                                          9
Compared to What – the Journey of Barney Frank                9
Citizenfour                                                                                     8

And the OZZIES go to:
Best Picture – Mad Max:  Fury Road
Best Actor – Matt Damon in The Martian
Best Actress – Charlize Theron in Mad Max
Best Supporting Actor – David Morse in Concussion
Best Supporting Actress – Rebecca Ferguson in Mission Impossible
Best Director:  George Miller, Mad Max
Best Screenplay – Josh Singer and Tom McCarthy, Spotlight

I’m adding a TV Show ranking and awards, since we are in a golden age (and I spent an inordinate amount of time recovering from knee surgery):

Rectify
Fargo
The Good Wife
Last Week Tonight:  John Oliver
Real Time with Bill Maher
Silicon Valley
You’re the Worst
The Leftovers
The Profit
Seth Myers

And the LIZZIES go to
Best Show:  Rectify
Best Actor:  Aden Young in Rectify
Best Actress:  Aya Cash in You’re the Worst
Best Supporting Actor:  Clayne Crawford in Rectify
Best Supporting Actress:  Abigail Spencer in Rectify
Best Director:  Ray McKinnon for Rectify

Sunday, January 3, 2016

Saints Last Report - January 3, 2016

Now we know.

Carly Simon has revealed who she wrote that song about.
Not “You’re so Vain.”
No.
"Anticipation"
And no it’s not about ketchup.
It’s about the plight of the New Orleans Saints fans.
Because now is the best part of the year.
The Anticipation of next year, because we are fully gullible, and the season is too stressful.
49 times we’ve fallen for it, and only once been rewarded.
So, here’s how it will go.
We’ll wait at least a day to see if Payton will remain the coach.
We’ll spend 116 days looking forward to the draft.
We’ll talk about Drew Brees and the salary cap.
Then, we’ll get excited about our 49th straight outstanding draft
We’ll wait 150 days until the mini camps
We’ll wait 210 days until training camps opened.
We’ll believe the hype – the team looks great.
We’ll forget they’re playing against each other.
We’ll get excited about the 4 pre-season games.
They look pretty good.
Anticipation will be at a fever pitch.
Sometime in September, the balloon will burst.
We’ll realize that we’ve improved, but so has everybody else.
Will next year, our 50th season, yield our 13th winning season? 

Anticipation

Well, one thing that makes the 119 days of actual season bearable is when you can sweep the season series from the equally inept and fanatically hated Atlanta Falcons.  With a last second field goal, following one of the rarest events of the season, a big-play interception from the Saints defense, the Saints vanquished those dirtiest of birds 20 – 17.  It was another great game for Brees, who continued his hot streak and won his 100th game as a Saint.  That's right.  He is the starting pitcher for 100 of the Saints lifetime 331 wins.  That's 30% of the franchise wins by playing in 20% of their games.  Amazing.  Brees regained his discipline this year and only threw 11 interceptions.  Another positive sign was the play of Brandon Coleman, who despite a huge drop at the end of the game, continued an upward trend at year-end.  Maybe he is the Colston replacement he was touted to be.  Maybe Tim Hightower will stick around.  We’ve got plenty of time to talk about it.

Thus the Saints finish 7 – 9, their 37th season of .500 or below. 


Anticipation misplaced.  
But the wait til next year has officially begun.  


Image result for anticipation heinz



At the Cinema - December 2015

As a movie lover, I kind of hate December.  The studios hold movies all year long then release them during the holidays.  Some get lost in the shuffle, as no one could possibly see them all.   Some get yanked from theaters before any word of mouth can develop.  Some blockbusters take up so many theaters, there's no room for any secondary film.  So my December report lacks some movies I wanted to get in here, but they will have to wait, like Point Break, Sisters, The Revenant, The Hateful Eight, Carol, and Joy.  I’ll get to them.


Spotlight – 10
When I look back at 2015 I will think of two classic movies that should stand forever, and this is one of them.  As I exited the theater I was so furious I had to try to think about something else.  I didn’t want to think about it, and I didn’t want to talk about it.  The raw emotion that this movie generates has to be experienced to be appreciated.

This is the story of the Pulitzer Prize winning, investigative “Spotlight” team of 5 reporters at the Boston Globe who investigated the local Catholic Church’s handling of abusive priests over several decades.  It’s low-key, methodical, and detailed as they plod through allegations that begin to slowly expand to an incredible level.  The new editor of the Globe, played by Liev Shreiber, pushes the team to go beyond the horror of the abuse, and to dig into the system of the church, and how they moved priests around repeatedly after transgressions. 

You’ll gasp in unison with the audience as you watch the year’s best ensemble cast plow their way through the heartbreak.  You'll wince at the pressure that is exerted on them from a community that is 53% Catholic, probably the highest in the nation.  Michael Keaton, Rachel McAdams, and Mark Ruffalo are superb, along with the rest of the cast.  They bring the heat.

Many have compared this to “All the President’s Men” as a wonderful examination of journalism.  It has that kind of intensity.  I find it most interesting that the movie hasn’t made it to Mississippi yet.  We had to go to New Orleans to see its one single daily showing.  The theater was packed.  What’s going on here?  It’s been in release for weeks.  Many more millions will see the fantasy movies than this one, and that’s a shame.  This is some serious stuff, and I’ll be fascinated to see who sees it, and who refuses to see it.   Yes, two classic movies in 2015 – one that I’ll watch over and over, and one that I don’t think I can watch again.


Creed – 10
This is the second great sports movie of 2015, along with McFarland USA.  Let’s face it – it’s not that hard to make a good sports movie.  From Rocky to Rudy the principles have been the same.  Underdog, knocked down, gets back up, fights through adversity, overcomes against the odds – all while the music swells to just the right rousing volume.  Or don’t you hum the Rocky theme as you finish your workout?

So, how does this latest Rocky installment rise to such great heights?  Several reasons.  The script and direction by second time director Ryan Coogler are nearly perfect.  The boxing scenes are the best ever filmed because they are so up close.  Also, I really appreciated the fact that like most real boxing, a lot of the punches don’t land, which movies usually get wrong; although I must say that towards the end it does get to the point where fighters are just pummeling each other and it begins to look like the rather ridiculous old Rocky fights where a punch never missed.  The lure of blood I guess.

Sylvestor Stallone revisits his Rocky character at a new crossroads in his life, with a new fight on his hands.  Michael B. Jordan is pitch perfect as the really, really angry young man Adonis Creed, illegitimate son of the late Apollo Creed, who died in the fictional ring of Rocky IV before the fictional Adonis was born.  Adonis, who has been reluctant to identify with the Creed name, seems to have so much anger that a boxing ring is the perfect place to keep him out of trouble.  Somehow the movie manages to make all that fiction seem real, and while we know its fiction, we are so invested in the characters, that when that music swells, well we’re going to lose it.  We’ve been had by another great sports movie.


Concussion – 10
Surprisingly, here’s another great sports movie.  Yet, it’s not typical in any way.  There’s no swelling music here, just drama building to a crescendo.

It starts with one of the great performances of the year that unfortunately will go unrecognized.  David Morse, who has been great so many times, is stunning as Mike Webster, the retired and battered center of the Pittsburgh Steelers.  He may have been the greatest center to ever play.  But, something is wrong with Webster.  Headaches, dizziness, and a desperation that has him living in his truck as he descends into a madness.  That desperation is seen in the face of his doctor – Dr. Julian Bailes, the former Steelers team doctor, played by Alec Baldwin, who can only ask, “What am I missing?”

When Webster dies it’s up to Dr. Bennet Omalu to find out during an autopsy and subsequent research what was happening.  Will Smith gives the performance of his career as Omalu as he investigates several more NFL deaths, names the condition CTE (chronic traumatic encephalopathy) and suffers the backlash from the NFL and the public.  Omalu is from Nigeria, and he doesn’t understand football, and his quest to speak for the dead makes for one hell of a movie.

The incredible juggernaut that is capitalism, that has driven the prosperity of our country past every other economy in the world, has had one unfortunate side effect.  Sometimes science gets put on hold for the sake of profits.  It happened with tobacco, and it wasn’t the government that slowed down the roll and the role of big tobacco.  It was another group of profiteers (we’ll call them lawyers) who held tobacco accountable.  It’s happening today in climate change, as those that would be impacted by adjustments cry “hoax.”  But, imagine taking on what could be argued as the most powerful force in the U.S. – the sport that we all love to watch.  Perhaps when the dust has settled, and the cost of repetitive impact on the brain has been fully analyzed, football will go the way of tobacco.  Hard to imagine, but something to ponder, and another reason I’d like to be reincarnated in about a hundred years  – just to see what happens.


Star Wars:  The Force Awakens - 9
Less relevant words have never been written than what I think of this movie.  That’s because you need no guidance.  You are either a Star Wars zealot that only the walls of confinement could keep you from seeing this movie several times, or you are a Star Wars fan like me, that likes the franchise and thinks the first two were pretty hard to top as space entertainment, but you didn’t go overboard into full-on worship.  Or, you don’t care anything about it, which puts you in the distinct minority that is a threat to Disney’s stock price.  You see Disney paid 4 billion dollars, that’s billion with a b to George Lucas for the rights to Star Wars, and their quest to get a return on that exorbitant investment will be as fascinating to watch for the rest of my life as anything else I can think of, business-wise.  That they’ve turned the creativity over to JJ Abrams who reinvigorated Star Trek, then abused it in the second run, makes it all the more interesting.  Can it hold his attention?  Can it hold mine?  Can they maintain the hype?  Every time I watched a commercial, I thought about it.  Why are they advertising so much?  Is there anyone who hasn’t decided whether or not they’re going to see it?  Are they still trying to persuade undecided voters?

I remember driving from Hattiesburg to New Orleans with some fraternity brothers to catch the first movie, and I don’t think there was another time we did that.  It was a movie-going thrill that has been rivaled few times. 

Movie-making technology has improved tremendously in the 38 intervening years.  That’s evident from the opening moments of The Force Awakens and Abrams commits to the story telling with his usual verve.
It begins on a planet called Jakku where the inhabitants speak with a British accent.  I’m referring to the new star of the star wars, Daisy Ridley, who as Rey, brings that accent and the youthful enthusiasm that the series needed to revive it.  There was a lot riding on her casting and it’s a home run.  She has the charisma needed to carry the next few installments and that’s great news.  Throw in mixes of nostalgia and humor, old characters and new, old robots and new, and the wars have begun.  While the movie’s first hour is largely set-up, it’s the second half of the movie where the action is pumped up to the level of excitement that Disney is going to need.  Buy or Sell? 

The Big Short - 9
As I was moving up the ranks in my previous corporate life, and buying a new house in a new city every few years, my VP told me, “always buy more house than you can afford.  Qualify for the lower payment of the adjustable rate, and your income will grow as your payment grows.”  Of course his intention was partly to keep me motivated.  Great approach for someone who would probably never be in a house for very long.  But, who would have thought it would be applied to millions of first-time buyers?

Ladies and gentlemen, I give you the mortgage loan crisis.  I would maintain there’s nothing wrong with stressing the opportunities of home ownership.  But something went wrong, then it got packaged and sold.  The risk was not properly assessed.  And then there was money to be made betting against it but by some who saw that it was all going to come crashing down. 

Those who saw profit opportunity in the crash (we’ll call them prognosticators) are portrayed here by Hollywood superstars Brad Pitt, Steve Carell, Ryan Gosling, and Christian Bale.  They specialize in numbers and it’s Bale’s character (Burel) who recognizes the inevitable first and has to convince some banks they need to create and sell him an insurance instrument whereby he can bet against them, which they are all too willing to do as they laugh at him. Thus a convoluted market is born, but it turns out to be one of many that the banks are playing around with.  When it all comes crashing down, it’s the American taxpayer of about 2053 who comes to the rescue.  Don’t get me started.

Needless to say the movie is fascinating.  It’s told in a very herky jerky style with gimmicks like celebrities explaining things to the audience.  For example, here’s Margot Robbie taking a bubble bath and explaining something, but I wasn’t really focused on what she was saying.  It’s the most poorly edited scene I’ve seen in movie in years (it’s like they weren’t even trying to match shots) but I doubt anyone will care.  The movie uses so many different styles and approaches that I think it most compares to Annie Hall.

This is based on a Michael Lewis book.  I’ve read some of his books (Moneyball and Boomerang) and he has a way of explaining complicated things so well, that I’m going to have to read this book to, in the hopes that maybe someday, just once in my life, I’ll be in the smart minority.  I maintain that how we got to the housing collapse and how we dealt with it is going to make for some fascinating economic history reading for many years to come. 


Scanning the Satellite

The Seven Five – 10
Showtime is showing this incredible documentary about police corruption in Brooklyn during the 1980’s.  It consists of interviews of many of the primary players in the bust of many cops, but most importantly Michael Dowd, known as the dirtiest copy ever.  How he earned that distinction will stun you and keep you shaking your head throughout.  It’s an unbelievable story.

Focus – 5
Lovely to look at, but too ridiculous to believe for longer than 30 seconds is this con man caper film with the stunning Margot Robbie and the always appealing Will Smith.  I will sum this up by saying I can suspend disbelief for 2 hours, but not common sense.  The only thing entertaining in this movie is how farfetched it becomes. 

The Boy Next Door – 5

There’s something wrong with my remote control.  Every time I leave the room it switches to the Lifetime channel or the Hallmark Channel.  They feature different movies but only one plot.  This is one of those movies with one big difference – Jennifer Lopez – so it got a theater release.  She is so charismatic that you actually believe some of this.  Then, you can’t believe you wasted 2 hours.