Showing posts with label Aaron Sorkin. Show all posts
Showing posts with label Aaron Sorkin. Show all posts

Tuesday, November 3, 2020

At the Cinema - October 2020

Totally Under Control – 10

The impactful documentaries I’ve seen this year are going to outnumber the pure entertainment, and this one vaults to the top of the list.  It is a step-by-step, test-by-test recounting of the pandemic and how it got out of control in the U.S.  Director Alex Gibney and his team interview many of the key players in this evolution, even including the doctor in New York who introduced President Trump to hydrochloriquine.  In one interview after another he takes us through every incredible screw up that was made, while contrasting it with other countries who successfully limited the damage. 

There’s one inescapable conclusion.  We did almost everything wrong, but we can learn from it.  It’s going to happen again.  As one of the interviewed says, we build tanks and fighters for wars we’re never going to fight, and we need to do the same in preparing for the next time this happens.  This has been a year that will be studied for a long time.  This movie may well be the first step in that dissection.

 

The Trial of the Chicago 7 – 10

The always-entertaining Aaron Sorkin revisits (and probably revises) history in this telling of the Chicago riots at the 1968 Democratic Convention and the trial that followed.  Several groups came to Chicago to protest LBJ’s adherence to the Vietnam conflict.  Mayor Richard Daley was having none of that and turned the police loose and several bloody clashes ensued, playing out on national TV and dooming Hubert Humphrey’s chances to be President.  Republican Richard Nixon got elected and continued the war.  New Attorney General John Mitchell decided this would be a great opportunity to set a law and order standard by prosecuting seven (8 to start) radical troublemakers.

Abbie Hoffman, Jerry Rubin, Bobby Seale, Tom Hayden.  These are names I’ve heard all my life and my number one recollection of the group was that Hayden would marry Jane Fonda, as radical a union as could be imagined.  I was 15 at the time, and baseball dominated my radar, not politics.  But, someday they’ll be a movie about this tumultuous summer of 2020 too, when we either pontificated on social media, glued ourselves to our network of choice, or left the house to protest and/or get exposed to a virus.  As this movie points out, protests usually feature some violence and destruction, unless there’s a central figure, a Martin Luther King, Jr, urging non-violence.

Sorkin actually shows some restraint with the wordplay.  It’s hard to walk and talk at a courtroom table.  So, complete with flashbacks, often real footage, he weaves the story of the seven very different radicals at the heart of the trial.  This could have been a preachy movie, but Sorkin seems to resist that, and gives us some perspective on one of our most contentious times, as we face another. 

 

The Perfect Weapon – 10

An old movie (and book I actually read) called The Mouse that Roared tells the story of a tiny duchy somewhere that declares war on the United States so that they can surrender quickly and get the aid the US usually doles out to the vanquished.

HBO puts forth another documentary to scare the life out of you.  For years I’ve been questioning the military buildup we love in America, because I’m wondering out loud, and usually getting ridiculed for this opinion, if a huge military engagement is how future wars will be fought.  Instead, I often propose, what would happen if it were a computer attack?  What if a small duchy, properly equipped with computer geniuses could bring the US to its knees.  What if a small duchy could declare war and win if,  for example, it crippled our power grid.  Could you imagine no a/c in the middle of a southern summer?  How quickly would we be clamoring for our government to get the air back on?

Well, it’s already happening, and the US has been an initiator.  Many examples are covered in length in this film, and I’m not going to give them away here.  See the movie.  Some wars are fought with “My military is stronger than yours.”  Some are fought on the basis of “my god is better than your god.”  The next one may be “My code is better than your code.” 

 
Borat Subsequent MovieFilm - 9

There’s a scene in this movie, where a 15 year old alleged journalist who is alone with Rudy Giuliani says “let’s go into the bedroom,” and he does and he lays down on the bed and reaches in his pants to prepare for action.  It’s pretty gross.  And yet, it’s far from the grossest thing in the movie.  That would be what I’ll call the “Carrie” scene.  This movie is a) all over the place, b) hysterically funny in parts, and c) awfully hard to figure out what is scripted and what isn’t. 
Nevertheless, while not quite as bizarre as the first Borat, it gets itself into the right place at the right time, as in the Mike Pence rally where he confidently says there have been only 15 covid cases in the US and it is well under control, and when Borat attends an early Trump rally.  You can’t make this stuff up, or can you?


Letter to You – Bruce Springsteen – 10

In some ways this is my dream movie.  What’s your favorite album of all time?  How much would you like to see all the recording session highlights of how it was all put together.  For me, that would be Abbey Road, the last album the Beatles recorded, with George Martin at the board.  That would be very cool.

This rockumentary takes place in Bruce Springsteen’s studio where he recorded his newest album, Letter to You, with the E Street Band.  Look, it’s not perfect.  They supposedly recorded this in 2 weeks and the sessions are edited down, as they had to be, to about 2 hours.  Maybe they should have just live streamed it for the 2 weeks.  But the version we see is still enthralling, as Bruce guides the band through his songs, absorbing ideas, and trying various approaches.  I would have liked to see a little more of the mixing process.  This is his third recent movie.  First he did a one-man Broadway show and it was taped for Netflix.  His performance film “Western Stars” was the story behind the songs on that album, and it was terrific for his fans.  This is the best of the three.  Springsteen is an artist, and he’s expanding that into the film world.  His enthusiasm for rock n roll at the age of 71 is pretty amazing, as is his chemistry with his band.  He keeps expanding his reach and cobbling together top-notch albums.  Don’t know where he gets the energy.


 

On the Rocks – 8

As you watch this comedy on Apple+ you can’t help but feel that Bill Murray is playing a version of himself.  He’s the cad dad of Rashida Jones, and they set out to tail Rashida’s husband (played by Damon Wayons) whom they suspect of infidelity.  This is more about the father/daughter relationship than it is about that, and Murray supplies most of the best moments. This is all mildly amusing, but if this is “the best comedy of the year,” as Apple touts, then it tells you all you need to know about 2020. 

Friday, October 30, 2015

At the Cinema - October 2015

The Martian – 10
Rarely are big budget movies as well constructed and crowd pleasing as The Martian.  Screenwriter Drew Goddard has crafted a film that blends humor and urgency.  He won’t win an Oscar for Adapted Screenplay, but I’ll be rooting for him.

Matt Damon plays Mark Watney, an astronaut left for dead on Mars after a storm cuts a mission short.  His crew is on its way back to earth, and NASA gets busy trying to mount a rescue.  With supporting stars like Jeff Daniels, Jessica Chastain, and Kate Mara, this resembles a sports movie.  You end up rooting for the home team to come back and win the game by rescuing Rudy, I mean Matt.

The attention to detail that has been employed is terrific, and seems plausible and within reach of the audience’s grasp.  That’s an impressive achievement.  It may be the most fun you’ll have at the movies this year.

The master stroke of this movie is in getting the whole world involved in the rescue.  The world-wide interest in bringing Matt home is displayed in huge crowd scenes that look like New Year’s Eve.  It’s cool as hell, and if you’re not swallowed up and engaged, something’s wrong.  Go and have some pure escapist fun.


Bridge of Spies – 10
Non-Fiction movies are just the best.  Like last year’s The Imitation Game, Bridge of Spies opens up a history book to an audience that has no clue.  I certainly didn’t.  I vaguely remember the story of Gary Powers, but I had never heard of James Donovan, just like I had never heard of Alan Turing in Imitation Game.  Donovan, played with great resolve here by Tom Hanks, as it turns out, is a great American hero. 

He was an insurance lawyer recruited by the FBI to put on a showy but ultimately impossible defense of accused Russian Spy Rudolph Abel.  Later he is called upon to negotiate a prisoner swap with captured US pilot Francis Gary Powers.

Director Steven Spielberg does his best work in years, as he avoids the heart-tugging and loud flourishes.  They aren’t needed.  The story stands on its own and needs no embellishment, although I don’t know how true to the facts it is.  There is a very odd disclaimer as the movie opens – “This story is based on true events.”  Isn’t it usually “actual events?”  I hate to split hairs, but what exactly is a “true event?”
Like all great historical movies, it made me want to start researching and learn more.  But, the movie serves an even grander purpose.  Young people today don’t remember the cold war, and it may be laughable to them, but the portrayals here of the smallest details, from classroom preparations for an atomic bomb, to the Berlin Wall’s erection are amazing.

I love a movie that perfectly captures a different time and place, even different values and judgements. This will be an Oscar contender, but will also go down as a beloved movie that will not only be watched forever, but will be sending viewers to history books, or at the very least Wikipedia to learn more.



Black Mass – 9
I really didn’t have any interest in seeing the story of Whitey Bulger, the notorious Boston mobster who was captured in 2012 after 12 years on the run.  Then I heard it compared to The Departed.  Then I found out he was the mobster that Martin Scorcese based The Departed on.  Had to see it.  In a movie like this you either totally buy it, or you don’t, and I felt like I was watching a violent sociopath in Johnny Depp’s portrayal of Bulger.  It’s the first Depp role in years that is more than a caricature.  He’s terrific.

The best part of the movie was actually in the portrayals of Bulger’s henchmen.  They are featured in interviews telling the story, and their deadpan reaction to unspeakable crimes is what will make me see this movie again. Joel Edgerton plays the boyhood friend turned FBI agent who uses and gets used by Bulger.  Expect some Supporting Oscar buzz for Edgerton, who has had a very good summer.  (He was the director of The Gift.)  But, it is Rory Cochrane as a Bulger hitman who I would like to see get some recognition.  He is riveting in several chilling scenes as a spectator and an active participant.  Yep, the supporting players elevate this movie to a must-see, and only a true story could be this far-fetched.  Let’s just say Efram Zimbalist Jr. is rolling over in his grave over what the FBI was doing.


Steve Jobs – 7
So far the most action-packed movie of the year has been Mad Max:  Fury Road.  Steve Jobs is second, and the far less credible of the two.  Screenwriter Aaron Sorkin takes a huge risk by trying to encapsulate a biography into virtually three scenes – 3 product launches.  Steve Jobs excelled at getting on stage and firing up an audience, even about sub-par products, and we don’t get to see the actual presentations, but we assume they were great.    

Sorkin and Director Danny Boyle attempt to bring every other piece of Jobs’ life drama into the 30 minutes before each launch.  That contrivance, involving walking and talking, and a whole lot of confrontation is unconvincing versus doing just a standard biopic.  Are there some great confrontations?  Yes.  Is the dialogue often brilliant? Of course, although there’s no “You can’t handle the truth.”  Is the acting great?  Yes, Michael Fassbender, Kate Winslett, and company are terrific.  There’s much to like, but the structure is more irritating than Jobs himself.   

Here’s what I suspect.  Maybe the movie will improve upon each viewing, much like Sorkin’s other movies have.  Maybe, it really is “an American Classic” as is quoted on the advertising.  Maybe upon repeated viewings the layers will be revealed and the movie’s complexity will be more easily appreciated.  That’s a whole lot of “maybe’s.”

Sicario – 6
Well done, but so dark it is depressing, this movie continues the star-making of Emily Blunt, but does little else but portray the U.S./Mexican border as a horrible place that I wouldn’t want to visit, and wish I hadn’t made a virtual visit.

Blunt plays an FBI agent in over her head in the dark world inhabited by Benecio Del Toro and Josh Brolin.  To say they bend the rules of law enforcement in trying to slow the drug trade would be the understatement of the year.  If this is Donald Trump’s reference point for his assessment of immigration, it’s easy to see why he wants to build a wall, although the movie makes clear that there’s little to stop the drugs that flow in to the US.  You might stop the immigrants.  You’ll never stop the drugs.


Crimson Peak – 5
Lovely to look at, unable to hold,
Guillermo Del Toro is one of the most imaginative directors working today.  His Pan’s Labyrinth will go down as a classic, and The Orphanage is not far behind.  He can paint a picture with the great artist.   In Crimson Peak the sets and atmosphere are incredible as he takes us into a truly chilling haunted house.  Unfortunately, the plot can’t keep up.  It is a predictable and obvious story that may have been shocking 30 years ago, but falls flat in 2015.   Mildly engaging, no cigar.


SCANNING THE SATELLITE

Compared to What – The Improbable Journey of Barney Frank – 9
This is a terrific documentary available on Showtime.  Don’t get me wrong.  It’s full of controversy as it describes the 40 year political and personal experience of a US Representative that had a huge impact on governmental policy.  The best thing is it explains how we’ve gotten to where we are today in the gridlock of Congress.  Fascinating and disturbing, in different ways for different peoples

Fargo – After three episodes of the second season, this FX series continues its rise to the top of the television heap.  Great stuff.