Deadpool – 8
I haven’t been particularly enamored by the onslaught of movies coming from Marvel studios. The fact that they have big plans for 5000 or so movies over the next 20 years doesn’t excite me. I didn't know there were that many comic books. So far the productions have ranged from terrible to mildly entertaining. But with their latest release, Deadpool, they may have actually hit on a decent formula.
I haven’t been particularly enamored by the onslaught of movies coming from Marvel studios. The fact that they have big plans for 5000 or so movies over the next 20 years doesn’t excite me. I didn't know there were that many comic books. So far the productions have ranged from terrible to mildly entertaining. But with their latest release, Deadpool, they may have actually hit on a decent formula.
The formula? R-rated,
by virtue of a lot of suggestive banter, a few racy scenes, and a whole lot of raw
humor. If that approach works about 90%
of the time, like it does in this movie, you’ve got a crowd-pleaser. Marvel certainly has shown the ability to bring
in a crowd with savy marketing. Actually
delivering on the entertainment promise is a whole new level for them.
This one starts off with a complicated action sequence
during which Ryan Reynolds slows down the action to tell the backstory of how he fell in love, how he got his superpowers, and how that messed up his love life. There’s about a 20-minute scene during which
Reynolds acquires those superpowers, and it is great film-making. Add in a redemptive third act and you’ve got
the makings of a solid box office hit. A starring role for Firefly's Morena Baccharin is another big plus. This
one exceeds the “mildly entertaining” level and bumps right up against “very.”
Hail, Caesar – 5
The Coen Brothers latest is a hodgepodge, mess of a
movie. I have no idea what their point
was. There are a lot of stars splitting
a few good moments. It may be a tribute
to Hollywood. It may be a showcase for
George Clooney to act against type. It
may be a payday. Whatever it is, it
didn’t work for me.
Scanning the Satelite
Becoming Mike Nichols – 8
This is a really nice HBO documentary consisting of a
lengthy interview of the late Mike Nichols, who spills the beans on many of his
productions, including Barefoot in the Park, Who’s Afraid of Virginia Wolf, and
most interestingly, The Graduate.
THE ACADEMY AWARDS
I usually enjoy watching the Oscars, which will air
tonight. I am usually in disagreement
with the Best Picture, but my taste is weird, and I expect this year to be no
different. I’ve heard of some people who
want to skip the first half hour because of Chris Rock. I’ve always thought he was a great comedian,
but his first time doing the Oscars fell flat, and the fact that he’s hosting
in such a controversial year, will only lend to the audience gasps. In my case it would be more appropriate for
me to skip the last half hour. I expect
Mad Max: Fury Road to dominate the
technical awards, winning 5 or 6 but getting shut out during the last 30
minutes when the big awards roll out.
There were some great 2015 movies, but the movie that’s
probably going to take the big prize was not one of them for me at least, which
is par for my course.
So here are my predictions:
Best Picture
Will Win: The
Revenant. It will join the list of
infamous wrong picks that had late momentum.
It’s a grandstanding movie that will have little long term impact, other
than a certain actor’s gratification. Move over Crash, take a seat Shakespeare.
Should Win: Mad
Max: Fury Road, which history will treat
as an epic, amazing cinematic achievement, one of the best action movies of all
time, and certainly the greatest chase movie ever.
Best Actor: Leonardo DiCaprio in The Revenant, and I’ll be
happy for him.
Should Win: Matt
Damon for the Martian, the movie we'll watch way more than Leo's.
Best Actress:
Will Win: Brie Larson
is easily the best of the nominees anchoring a great movie with a great
performance.
Should Win: Charlize
Theron in Mad Max. Wait, she wasn’t even
nominated
Best Director:
Will Win: George
Miller, Mad Max. I’m hoping for an upset
over the heavily favored Inarritu, who is poised to win his 2nd
consecutive Oscar for Director, for The Revenant..
Should Win: George
Miller for bringing home his 20-year vision and re-creating a totally unique world.
Best Supporting Actor:
Will Win: Sylvester
Stallone for Creed
Should Win: Sylvester
Stallone for a lifetime achievement Award as Rocky Balboa
Best Supporting Actress
Will Win: Alicia
Vikander for The Danish Girl (a combo award for her star-making work in Ex Machina)
Should Win: Rooney
Mara for Carol, although neither of these were really supporting roles.
And the rest of my predictions, with an occasional dissent:
Best Original Screenplay – Spotlight
Best Adapted Screenplay – The Big Short
Best Cinematography – The Revenant (although I’ll be rooting
for Mad Max)
Best Costume Design – Mad Max: Fury Road
Best Film Editing – Mad Max:
Fury Road
Best Makeup & Hair – Mad Max: Fury Road
Best Production Design – Mad Max: Fury Road
Best Score – The Hateful Eight
Best Song – Til it Happens to You, from The Hunting Ground
Best Sound Editing – Mad Max: Fury Road
Best Sound Mixing – Mad Max:
Fury Road
Best Visual Effects – Star Wars: The Force Awakens (although I’ll be rooting
for Mad Max)
Best Animated Feature – Inside Out
Best Documentary Feature – Amy
Best Foreign Language Film – Son of Saul
Best Animated Short – Sanjays Super Team
Best Documentary Short – Body Team 12
Best Live Action Short – Shok
No matter what happens, the show will be an endurance
contest, and I’ll be expressing my sentiments throughout. Enjoy.
2 comments:
I feel this year's Academy Award ceremony was by far the worst I have seen, and, I have watched it every year for as long as I can remember. I am glad Leonardo won!
I agree. While I am interested in the Awards themselves, the broadcast is excrutiating. They need to re-format and start with a clean sheet of paper. Too long, boring, and rude. And it gets worse every year.
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